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Painting Conservation

More on Cope’s ‘Martyrdom of Laurence Saunders at Coventry.’

Cleaning is progressing well on the picture.

There is a coating of dirt and a yellow/brown discoloured layer obscuring the colours in the painting. The sky has areas of blue and pink, white and grey. The layers are being removed with a suitable solution which leaves the paint surface intact.Test cleans on the Martyrdom of Laurence Saunders at Coventry

Pictured above is the sky with test cleans on the right hand side.

The discoloured layer has a flattening effect. Cleaning has revealed the pinkish-red roofs and spires of Coventry in the background. Details of the brushstrokes also begin to emerge. The distinctive spires above and below are those of St Michael’s, on the left- hand side; Greyfriars in the middle and Holy Trinity on the right of the picture.

Detail of cleaned areas on the Martyrdom of Laurence Saunders at Coventry

The artist, Charles West Cope (1811- 1890) is known as a Victorian painter and etcher of historical, literary and genre subjects. He also painted frescoes at the House of Lords after winning a competition to decorate the Houses of Parliament.  He exhibited at the Royal Academy for the first time in 1833.  He was born in Leeds and apparently given the name ‘West’ after the American artist Benjamin West. He studied at the Royal Academy and later in Paris.

Cleaning has also begun on the subject of the triptych – Laurence Saunders, a Protestant minister. Saunders was brought to Coventry after his arrest for preaching ‘heresies’. Although Saunders’ church was All Hallows in Bread Street, London he was brought to Coventry and burned there – with others – on the 8th February 1555. His brother, Sir Edward Saunders, was Recorder of Coventry and had spoken out – unsuccessfully- on his behalf.

Jill Irving

Wonderful Watercolours Sneak Peek 7

Kenilworth Castle with cattle by Anthony Vandyke Copley Fielding

Anthony Vandyke Copley Fielding (1787 to 1855)
Kenilworth Castle with cattle
pre 1855

Anthony Vandyke Copley Fielding was a popular and successful painter, particularly in watercolour. He exhibited over 600 works during his life. From the early 1800s Fielding made several tours around Britain painting landscapes.

This watercolour and many others will be on display in Wonderful Watercolours: Views of Coventry and Warwickshire. The exhibition runs from 25 February to 22 July 2012 at the Herbert. Entry is free.

Wonderful Watercolours Sneak Peek 6

William Brooke, Ancient Passage Leading to the Hall, 1819

William Brooke (1772 to 1860)
Ancient Passage leading to the Hall
1819

St Mary’s Guildhall was begun in 1340 by the merchant guild of St Mary. The building was soon also used by the mayor and governing body of the city, which was closely linked to the guild. It continued to be the city’s centre of administration until construction of the Council House was completed 1917. It hosted many royal visits and a royal prisoner – Mary Queen of Scots. More interesting historical facts about the Guildhall can be found on Coventry City Council’s website.

This watercolour and many others will be on display in Wonderful Watercolours: Views of Coventry and Warwickshire. The exhibition runs from 25 February to 22 July 2012 at the Herbert. Entry is free.

Wonderful Watercolours Sneak Peek 5

Bablake School by Edith Gittins

Edith Gittins (1845 to 1910)
Bablake School
1868 – 1887

Edith Gittins was a social reformer who campaigned for women’s rights. She founded the Leicester Women’s Liberal Association and was an active member of the Women’s Suffrage movement.

This watercolour and many others will be on display in Wonderful Watercolours: Views of Coventry and Warwickshire. The exhibition runs from 25 February to 22 July 2012 at the Herbert. Entry is free.

Painting Conservation

More on Cope’s ‘Martyrdom of Laurence Saunders at Coventry.’

This is a resumption of my blog after an interval when I was busy with exhibition work.

A little bit of history relating to the picture: Painted in 1851, the picture was exhibited in the Paris Universal Exhibition of 1867. Another label on the reverse relates to an ‘Exhibition of Works of Art’ in Leeds the following year, 1868.

The triptych was previously displayed in the Council Chamber in Coventry Council House. It was taken down in January 2000 for the repainting of the Chamber and was placed in an anteroom. On closer examination it was decided that the condition of the picture was such that it would be advisable to remove it from display and it was subsequently moved to The Herbert Art Gallery & Museum.

The picture had suffered much paint loss along the lower edges and other areas of paint were flaking and in danger of falling off. The reverse of the triptych had been damaged by the activities of a pigeon which according to reports had at one stage entered the Chamber and become trapped.

Emergency conservation carried out involved adhering a protective facing tissue onto the endangered areas of paint:

The damage to the reverse is shown here:

Label relating to Paris Exhibition on reverse of frame:

Jill Irving December 20th

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