More on Cope’s ‘Martyrdom of Laurence Saunders at Coventry.’
Cleaning is progressing well on the picture.
There is a coating of dirt and a yellow/brown discoloured layer obscuring the colours in the painting. The sky has areas of blue and pink, white and grey. The layers are being removed with a suitable solution which leaves the paint surface intact.
Pictured above is the sky with test cleans on the right hand side.
The discoloured layer has a flattening effect. Cleaning has revealed the pinkish-red roofs and spires of Coventry in the background. Details of the brushstrokes also begin to emerge. The distinctive spires above and below are those of St Michael’s, on the left- hand side; Greyfriars in the middle and Holy Trinity on the right of the picture.
The artist, Charles West Cope (1811- 1890) is known as a Victorian painter and etcher of historical, literary and genre subjects. He also painted frescoes at the House of Lords after winning a competition to decorate the Houses of Parliament. He exhibited at the Royal Academy for the first time in 1833. He was born in Leeds and apparently given the name ‘West’ after the American artist Benjamin West. He studied at the Royal Academy and later in Paris.
Cleaning has also begun on the subject of the triptych – Laurence Saunders, a Protestant minister. Saunders was brought to Coventry after his arrest for preaching ‘heresies’. Although Saunders’ church was All Hallows in Bread Street, London he was brought to Coventry and burned there – with others – on the 8th February 1555. His brother, Sir Edward Saunders, was Recorder of Coventry and had spoken out – unsuccessfully- on his behalf.
Posted on 02/05/2012, in Collections, Conservation and tagged 19th century, Charles West Cope, coventry, Coventry martyrs, Greyfriars, Herbert Art Gallery & Museum, Holy Trinity Church, Martyrdom of Laurence Saunders at Coventry, painting, spires, St Michael's. Bookmark the permalink. Leave a comment.