Hue and sky

One of the joys of this job is the range of work we take on, and how it is so easy to be intensely focused on one task while your colleagues are immersed in quite different ones.  The storm and buzz of our forthcoming exhibitions All Dressed Up  and Secret Egypt have largely ignored me, which his just as well given we have Spotlight: Belsen Head fast approaching and the planning for our summer early years exhibition started to gather speed.

Spotlight: Belsen Head continues a thread of exhibitions focussed on a single powerful object, in this case a recently acquired sculpture by Raymond Mason.  We’ve asked some local artists to create responses to the piece, and I feel their approach is testament to the quality of the local arts community, that we have artists prepared to accept the challenge of this commission.  I feel pride in the way Coventry marks Holocaust Memorial Day each year, and it sometimes shocks me that I am part of that process.

Although, on the face of it, completely different, we take our summer exhibition for early years just as seriously as commemorating Holocaust Memorial Day.

Over the past 8 years, we have been able to explore how a gallery can offer creative play opportunities, and to consciously experiment and push boundaries.  We’ll keep most details secret for now, but we are building on developments in 2010’s In the Big Treetop especially in the use of off-ground structures and light.  We’ve invested in more multicoloured lamps, and while the Studio was quiet over New Year, we built a test bed “Iglow” to try out lighting effects – the sense of movement feels wonderful in this clip:

Another area we are exploring is how we can make the growing field of pervasive gaming appropriate to the family and early years audiences we receive throughout the summer.  Lots of reading, then lots of trialling and, lets face it, lots of playing, to do on this one.

The office windows behind the Herbert open onto a strange landscape, particularly with the recent weather.  When I raise my eyes from my screen, I am greeted by a steel sky, grey-clad university buildings and high grey lamp posts on the ring-road.   At the front of the building we have the richer palette and sharper details of the Cathedrals, yet this wash of subtle greys offers an urban alternative to the coastal landscapes evocative of 20th century heroes such as Britten and Jarman..  

  

 

Jack
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Posted on 12/01/2011, in Communities, Exhibitions and tagged , , , , , , , , . Bookmark the permalink. Leave a comment.

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